
The Artist’s profile
Carina Shoshtary, born in 1979 in Augsburg, Germany, is a contemporary jewellery and mask artist whose work explores the intersection between nature and artifice. Trained as a goldsmith and further educated at the Academy of Fine Arts Munich under Professor Otto Künzli, she crafts fluid, organic forms using bio-plastics and found or vintage materials. Nature serves as both muse and collaborator, inspiring designs that blur the boundaries between the natural and synthetic. Shoshtary’s work has been shown worldwide in numerous solo and group exhibitions. Her pieces are held in public collections including the International Design Museum, Munich, Germany; the V&A, London, England; and the Museum of Fine Arts, Boston, USA. Through her jewellery, she invites viewers to engage with the transformative potential of material and adornment.

The triggers to become an artist
“I never wanted to be anything other than an artist. The act of creating beautiful, intriguing objects with my own two hands has always felt like the most fulfilling thing I could do. I was drawn to making jewelry because of its size—there’s a special intimacy in crafting small, intricate pieces that immediately captivated me. Over time, I also grew to appreciate the transformative power of jewelry. A single piece can empower the wearer, offering them a way to express or even reinvent themselves.
Though one might think making jewelry would confine an artist, I’ve found the opposite to be true. Contemporary jewelry allows for incredible freedom. You can be a painter, sculptor, ceramicist, photographer, and a craftsperson—each discipline feeding into the next. The possibilities are endless, and I find great joy in that flexibility. The personal connection between the artist and the object, and ultimately the wearer, is something I treasure. Each piece carries a bit of the artist’s essence, and the idea that my work can touch someone else on such an emotional level is deeply meaningful to me.”
I was drawn to making jewelry because of its size—there’s a special intimacy in crafting small, intricate pieces that immediately captivated me.
Carina Shoshtary



Environmental Concern
Carina Shoshtary is deeply committed to environmental responsibility by using almost exclusively sustainable materials. In her current series, the main material is PLA, a bio-plastic derived from renewable sources like corn and rice starch. She also incorporates reclaimed silver, as well as vintage and found objects, giving new life to discarded materials. Each piece is handmade and one of a kind, reflecting her dedication to craftsmanship while minimizing her environmental footprint. Through her work, she advocates for ethical production and thoughtful consumption in the future of art and fashion.
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Carina Shoshtary, born in Augsburg, Germany.
Education & Activities
2006 – 2012 Academy of Fine Arts Munich (DE): Jewellery Department, Prof. Otto Künzli
2001 – 2004 State College for Glass and Jewellery, Neugablonz (DE): Apprenticeship- Goldsmith
A selection of exhibitions and group exhibitions are; 2024 Arnoldsche Weekend Art Gallery | with Pálma Babos, Arnoldsche Publishers, Stuttgart (DE), / 2023 Something Old, Something New | with Märta Mattsson, Sienna Gallery, Lenox (US)/ 2019 Karma Chroma | Bini Gallery, Melbourne (AU) / 2019 Contained Worlds | Presented by the Juliane Noack Foundation, Radierverein, MunichMunich-Germany, / 2018 Point of Equilibrium | with Attai Chen, Galerie Ra (NL) / 2018 Morphogenesis | with Attai Chen, La Joaillerie par Mazlo, Paris (FR) / 2018 Echoes of Order | with Attai Chen, Atta Gallery, Bangkok (TH) / 2021 Micromania | with Attai Chen, Froots & Nogart, Shanghai (CN) / 2017 In The Beginning There Was Red | Sienna Gallery, Lenox (US) / 2015 Microphilia | with Annamaria Leiste, Studio Gierke-Berr, Munich (DE) / 2014
“I-Land” Mini Exhibition | Atta Gallery, Bangkok (TH) / 2014 Where Blue Hides after Dark | Sienna Gallery, Lenox (US)
Awards
2022 Förderung der Stadt München für die “Fashion for Bank Robbers” Ausstellung im Maximiliansforum
2020 Förderpreise der Stadt München, Munich (DE)
2017 La Monachia– Design of a wearable trophy for the LaMonachia economy prize for women, Munich (DE)
2017 Project grant for fine arts, Munich (DE)
2017 Artist in residence at Konstepidemien, Gothenburg (SE)
2017 Finalist of the Susan Beech Mid Career Grant, Mill Valley (US)
2016 Exhibition scholarship | Förderverein zum Aufbau einer Juliane Noack Künstlerförderung, Halle (DE)
2016 Finalist of the Art Jewelry Forum Artist Award| AJF, Mill Valley (US)
2012 Bavarian State Prize for Emerging Designers | Bayerisches Staatsministerium für Wirtschaft,
2012 Infrastruktur, Verkehr und Technologie, Munich (DE)
2012 Oberbayerischer Förderpreis für Angewandte Kunst 2012, Munich (DE)
Public Collections
The Museum of Fine Arts, Houston, USA
The Montreal Museum of Fine Arts, Canada
Museum of Fine Arts Boston, Boston, USA
Victoria and Albert Museum, London, UK
The Röhsska Museum, Gothenburg, Sweden
Rotasa Foundation, Mill Valley, CA, USA
The International Design Museum Munich, Germany











